Is Ringo Starr one of the greatest drummers of all time?
Or is he only famous because he was a member of The Beatles?
Even though he’s one of the most well-known drummers of the 20th century, fans of Ringo still think he’s underrated – especially because he’s had his fair share of haters:
In this article and video, we’re going to look at Ringo’s drumming – objectively – and explain why he’s such a great player.
Drummer, singer, songwriter, bandleader, rock ‘n’ roll pioneer…Ringo is responsible for making drumming look cool and inspiring countless people to take up the instrument.
Whether he was playing with The Beatles, the All-Starr Band or others, his one-of-a-kind approach set him apart from other drummers and he always wrote parts that elevated the song.
If you think Ringo shouldn’t be recognized as a groundbreaking musician because he doesn’t play impossibly technical parts, finish this page and then think again.
One reason Ringo has such a unique vice on the kit is – surprise, surprise – he’s a left-handed drummer who plays a right-handed setup. You can hear how he often uses his left hand to play accents and keep time on the hi-hat, and he executes his fills leading with his left.
Ringo has a unique way of hitting the drums. From his signature ‘windshield wiper’ hi-hat playing to ‘dancing’ and throwing his shoulder into the groove while he drums, the way he moves affects his feel and his swing.
He’s notable for his simplicity, unlike many drummers who are known for their technical prowess or speed. The Beatles’ music didn’t call for a showy drummer – they needed a drummer who could write the right parts.
Listen to the song “In My Life“. Where many drummers might’ve played an 8th note hi-hat groove, Ringo chose to hit the hi-hat just once per bar. That note placement makes all the difference.
“Love Me Do” is kick, snare, and hi-hat the entire song. Fills in “Let It Be” and “Hey Jude” don’t need to end with a crash, either.
Why hit a cymbal for the sake of it? Ringo decided it wouldn’t fit the music, so he simplified the part.
“It’s not the notes you play, it’s the notes you don’t play.”
Miles Davis
He knows how to serve the song on the drums, and this is one of the reasons Ringo Starr is one of the greats – and the perfect drummer for a band like The Beatles.
Without Ringo’s creativity and imagination, the Beatles wouldn’t have sounded as original. He created drum parts you wouldn’t typically hear in pop or rock songs in the ’60s and ’70s.
The tom and hi-hat part in the bridge of “Something“. The unconventional opening beat in “Come Together“. Who expected the drums to sound like this?
In the song “Ticket To Ride“, Ringo doesn’t play a metronomically perfect groove, and that’s part of the beauty of it.
Ringo’s signature style includes quarter note triplets (“Day Tripper”, “She Loves You”) and atypical drum solos like in “The End”, which features 8th notes on the bass drum, a broken 16th note fill on the toms, and an 8th note build in the final bar.
And for those thinking Ringo can’t hang with anything not in common time, listen to the proggy bridge of “Here Comes The Sun” (it alternates 5/4 and 4/4) or the bridge of “Happiness Is A Warm Gun” (9/8 and 10/8).
One of the world’s most recognizable drum parts is the main theme in “Come Together.” Ringo says he played it counterclockwise (starting on the floor tom) because he’s left-handed. However, if you check out the isolated track, it sounds like he’s descending from left to right. You be the judge.
Even the verse is special: most drummers might have opted for a backbeat, but Ringo chose to play 8th notes on the floor tom with quarter notes going on the kick. It takes a certain ability to get people dancing and grooving with such a simple part.
Ringo’s drumming on “Tomorrow Never Knows” and “While My Guitar Gently Weeps” is almost as recognizable to Beatles fans as “Come Together”.
A solo single he released in 1972 – “Back Off Boogaloo” – features a trademark snare pattern in the intro, a part that came to be because he claims he wasn’t able to play it on the bass drum under a groove.
In a sense, Ringo’s perceived shortcomings may have actually contributed to his strengths.
“I’m no good on the technical things…I’m your basic offbeat drummer with funny fills because I’m really left-handed playing a right-handed kit. I can’t roll around the drums because of that.”
Ringo Starr
Ringo’s fills are often original and memorable. That’s not to say he didn’t have his own formula for writing: he’d often play two 16th notes followed by a 16th note rest, and then a group of four or five 16th notes.
You can hear this structure in songs like:
The former Beatles drummer is also a fan of triplet fills (Listen to “Oh! Darling” and “A Day In The Life”), a proclivity shared by Ringo’s friend John Bonham.
While most reserve talk of legacy for people when they’re no longer with us, it’s clear Ringo has already had a massive impact on multiple generations of drummers (and drummer-adjacents).
His playing progressed as The Beatles progressed. Compare earlier tracks like “Twist and Shout” and “Please Please Me” to “Helter Skelter” and “I Want You (She’s So Heavy)” and you’ll notice a difference.
Many people are drawn to fast, technical playing for its physical and rhythmic impressiveness, but forget about the most important thing: music.
Ringo understands the role of the drummer and what it means to support the music.
And for that reason – outlined by the points above – he’s a genius in our books.
Brandon Toews is an author, educator, and performer based out of Vancouver, Canada. He is the author of The Drummer's Toolbox, co-author of The Best Beginner Drum Book, and the Content Director at Musora, home to the award-winning online music education platforms Drumeo, Pianote, Guitareo and Singeo.
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