{"id":37876,"date":"2022-09-28T14:30:56","date_gmt":"2022-09-28T21:30:56","guid":{"rendered":"https:\/\/www.drumeo.com\/beat\/?p=37876"},"modified":"2023-01-26T10:41:40","modified_gmt":"2023-01-26T18:41:40","slug":"steve-smith-art-of-drum-solo-tips","status":"publish","type":"post","link":"https:\/\/www.drumeo.com\/beat\/steve-smith-art-of-drum-solo-tips\/","title":{"rendered":"Steve Smith&#8217;s Best Tips For Drum Soloing"},"content":{"rendered":"<p>&nbsp;<\/p>\n\n\n<p><em>[Note: <a href=\"https:\/\/www.drumeo.com\/beat\/watch-steve-smith-perform-at-the-2020-drumeo-festival\/\" target=\"_blank\" rel=\"noreferrer noopener\">Steve Smith<\/a> compiled these notes to clarify his ideas before filming his new Drumeo course, <a href=\"https:\/\/www.drumeo.com\/beat\/art-of-drum-solos-steve-smith-part-one\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Art Of Drum Soloing<\/a>. He was happy to share his tips with you, the reader. To access his video course, <a href=\"https:\/\/www.drumeo.com\/trial\/\" target=\"_blank\" rel=\"noreferrer noopener\">get a free 7-day trial to Drumeo here<\/a>!)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>There are many ways to play a drum solo and many types of drum solos. For Drumeo, I decided to focus on the five most common ways that I play drum solos:<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ol><li>Open solo as part of a song or a \u201cdrum feature\u201d<\/li><li>Unaccompanied (stand-alone) drum set pieces<\/li><li>Soloing over a vamp<\/li><li>Soloing over the form of a song<\/li><li>Impressionistic free-form soloing&nbsp;<\/li><\/ol>\n<\/div><\/div>\n\n\n\n<p>Playing solo drums is <em>making music by yourself<\/em>. Play the drums during a solo as you would play drums when accompanying other musicians. Vary your dynamics; don\u2019t only play loud and fast.&nbsp;<a href=\"https:\/\/www.drumeo.com\/beat\/hand-technique-tips\/\" target=\"_blank\" rel=\"noreferrer noopener\">Stay relaxed<\/a> and in control of your technique, which usually requires not playing hard (which can&nbsp;tighten up your muscles and result in a loss of control).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2022\/09\/27194958\/2022-05-12-COACH-Steve-Smith-187-1024x683.jpg\" alt=\"steve smith drummer\" class=\"wp-image-37932\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2022\/09\/27194958\/2022-05-12-COACH-Steve-Smith-187-1024x683.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2022\/09\/27194958\/2022-05-12-COACH-Steve-Smith-187-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2022\/09\/27194958\/2022-05-12-COACH-Steve-Smith-187-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2022\/09\/27194958\/2022-05-12-COACH-Steve-Smith-187.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Leave space, breathe, play with clarity and play phrases. <em><strong>Phrasing is playing an idea and then&nbsp;taking a breath and leaving space<\/strong>. <\/em>Because I\u2019ve played with a lot of horn players, I\u2019ve gotten&nbsp;used to the idea of needing to breathe and leaving natural spaces while playing. <\/p>\n\n\n\n<p>Certain instruments require that you blow into them; for example, the saxophone, trumpet, trombone, and of course, the human voice. Some instruments &#8211; like drums, bass, piano and guitar &#8211; you can keep playing without ever stopping. <\/p>\n\n\n\n<p>Breathing in between ideas is a key to phrasing. Follow one idea with the next logical idea, which is improvising and telling a story.&nbsp;<\/p>\n\n\n\n<p>Here are five types of drum solos, with examples:<\/p>\n\n\n\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Dla-sRUdrsw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>1. Open solo as part of a song or a \u201cdrum feature<\/strong>&#8220;<\/h3>\n\n\n\n<p>When I played a solo with Journey, I usually soloed on the song \u201cLa Do Da.\u201d That song has a shuffle feel and a certain tempo, but the solo was open. I took on the challenge of keeping the tempo consistent throughout the main body of the solo. I allowed myself to change feels, or&nbsp;use metric modulations, but everything I played would relate to the original tempo. The solo would come back to the original tempo and shuffle feel in the end. I would play half time,&nbsp;double time, or play off of the triplet. <\/p>\n\n\n\n<p>I think people can relate to the solo more when my&nbsp;playing is related to the original tempo, even if they don\u2019t understand what I\u2019m doing. But even in that context, I am still playing eight and sixteen bar phrases, which creates a sense of form&nbsp;and structure.<\/p>\n\n\n\n<p>I usually consider the room, or the space I\u2019m in, while soloing. With Journey I was playing in&nbsp;large halls with a lot of natural reverb. I would take that into consideration and play with that&nbsp;reverb, leaving space, allowing the drums to resonate and play with a lot of clarity. The sound&nbsp;and <a href=\"https:\/\/www.drumeo.com\/beat\/how-to-tune-drums\/\" target=\"_blank\" rel=\"noreferrer noopener\">tuning of the drums<\/a> is also a factor. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Steve Smith Drum Solo with Journey: Moline, 2017\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_WRrIQj-nZQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>I tended to play more toms and bass drum in the big halls as well because of the PA systems and how that low-end hit the audience.&nbsp;When you listen to my \u201cLa Do Da\u201d solo from 1980, what makes it a rock solo and not a jazz solo? <\/p>\n\n\n\n<p>The ideas and phrasing for much of the solo is right out of be-bop jazz vocabulary. What makes it &#8220;rock&#8221; is the big sound of the drums, the setting, or environment, of \u201cThe Big Rock&nbsp;Show,\u201d and the attitude with which I\u2019m playing. <\/p>\n\n\n\n<p>A lot of the ideas I was playing in the late 70s&nbsp;and early 80s were directly influenced by the lessons I had with Alan Dawson when I was a&nbsp;student at The Berklee College of Music. Alan was one of the greatest drum soloists ever. Watch some of his solos when he was playing with Sonny Rollins and Dave Brubeck. He took the ideas of Art Blakey, Max Roach and Philly Joe Jones to a higher technical level but he was not&nbsp; recognized in his time in the same way those other players were. <\/p>\n\n\n\n<p>Alan was a refined player and an incredible soloist.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alan Dawson drum solo on Take Five\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JraksdaOBDM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>I considered the audience too. In a large hall I painted with broad strokes, which to me is clarity, but I didn\u2019t play down to the audience. I witnessed Zakir Hussain play incredibly virtuosic tabla&nbsp;solos night after night when I was on tour with his group called The Masters of Percussion. The people in the audience generally didn\u2019t know what he was playing. In fact, most musicians in the group, including myself, didn\u2019t understand what he was playing, but the audience responded in an overwhelming way. <\/p>\n\n\n\n<p>To me it was reminiscent of watching a piano&nbsp;virtuoso playing a concert, or ice skaters at the Olympics. I may not understand the nuances of figure skating or solo piano playing, but when I witness excellence and virtuosity, it\u2019s inspiring.&nbsp; <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Zakir Hussain Meets Berklee - Ustad Zakir Hussain Tabla Solo\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/LAwgD_YxRgM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Examples of an open solo as part of a song or a \u201cdrum feature\u201d:<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=j9J5Zt2Obko\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cSing, Sing, Sing\u201d<\/a> by Gene Krupa with the Benny Goodman Big Band<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=zZmz6vpETGY\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cSkin Deep\u201d<\/a> by Louie Bellson with the Duke Ellington Orchestra (1937) (In 1952, Louie Bellson composed a piece of music that became his drum feature, which included his innovation of the&nbsp;double bass drum kit)<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=8C9mUxwl7ho\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cTopsy Part II\u201d<\/a> by Cozy Cole with the Alan Hartwell Band (1958)&nbsp;<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=TB9AfkjLZ78\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cSing, Sing, Sing With a Swing\u201d<\/a> by Buddy Rich and Max Roach on the album <em>Rich Versus Roach<\/em> (1958)&nbsp;&nbsp;<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=zC9okWm8A6o\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cLet There Be Drums\u201d<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=1lbxeJRtfGw\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cTeen Beat\u201d<\/a> by Sandy Nelson (1959)&nbsp;<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=-YusHyd-duQ\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cWipeout\u201d<\/a> by Ron Wilson with The Surfaris (1963)<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=hIMIMSb9mpc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cToad\u201d<\/a> by Ginger Baker on the Cream album <em>Wheels of Fire<\/em> (1968)&nbsp;<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=UOSf9f5_qZ8\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cMoby Dick\u201d<\/a> by John Bonham on the Led Zeppelin album <em>Led Zeppelin II<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=UIVe-rZBcm4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cIn-A-Gadda-Da-Vida\u201d<\/a> by Ron Bushy on the Iron Butterfly album <em>In-A-Gadda-Da-Vida<\/em> (1969)<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=12R4FzIhdoQ\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cThe End\u201d<\/a> by Ringo Starr on The Beatles album <em>Abbey Road<\/em> (1969)&nbsp;<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=JaaT_HRb4GU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cSoul Sacrifice\u201d<\/a> by Michael Shrieve on the Santana album <em>Santana<\/em> (1969)&nbsp;<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=65XSHM3jlAY\" target=\"_blank\" rel=\"noopener\">\u201cFrankenstein\u201d<\/a> by Chuck Ruff on the Edgar Winter album <em>They Only Come Out At Night<\/em> (1972)<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=KNj0qM3fkmU\" target=\"_blank\" rel=\"noopener\">\u201cLa Do Da\u201d<\/a> by Steve Smith on the Journey album <em>Captured<\/em> (1980)<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=L0JZqGcxgoc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cNeptune: Creatures of Conscience\u201d<\/a> by Tony Williams on the Tony Williams album <em>The Story of&nbsp; Neptune<\/em> (1992)<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=5E73AMxgLT4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cThe Brush Off\u201d<\/a> (a brush feature) by Steve Smith on the Steve Smith, Tony Monaco, Vinny&nbsp;Valentino album <em>Groove: Blue<\/em> (2015)&nbsp;<\/li><li>\u201cThe Brush Off\u201d (a brush feature) by Steve Smith filmed live at the Drumeo Festival (2020)<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gene Krupa- Sing, Sing, Sing\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/j9J5Zt2Obko?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>2. Unaccompanied (stand-alone) drum set pieces<\/strong><\/h3>\n\n\n\n<p>Base your solo on a melodic theme or a melodic-rhythmic motif. Develop the theme. Build on that theme with variation and motivic development. Vary the dynamics.&nbsp;<\/p>\n\n\n\n<p>You can use a groove as a theme and play a solo that is like a song (e.g. a verse groove plus a&nbsp;\u201cchorus\u201d or \u201chook\u201d). That is part of my \u201cLa Do Da\u201d solo: I use the floor tom shuffle groove as a&nbsp;theme or hook. I could use that theme and play that solo as a stand-alone solo.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Steve Smith Drum Solo with Journey: Classic East 2017\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/S5F8yzWZ-28?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>A way to get started with a solo is to start with rhythm and then add melody. You can also start from a melody, but I\u2019ll start here with rhythm. <\/p>\n\n\n\n<p>For example, that rhythm could be a <a href=\"https:\/\/www.drumeo.com\/beat\/single-paradiddle\/\" target=\"_blank\" rel=\"noreferrer noopener\">paradiddle<\/a>. A paradiddle is a&nbsp;rhythm with a built-in melody. A good example is what I call \u201cA.T. Paradiddles.\u201d&nbsp;The jazz drummer Art Taylor sometimes played paradiddles with the right stick on a rack tom and the left stick on the snare; then he would move the right stick to a floor tom. With his approach you can clearly hear the melody of the paradiddle.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Art Taylor | Drum Solo\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Jc_YyKCgKak?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Examples of stand-alone drum solos:<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=cv8Rxy9U7FQ\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cFor Big Sid\u201d<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=_AS71j5nysw\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cThe Drum Also Waltzes\u201d<\/a> by Max Roach on the Max Roach album <em>Drums Unlimited<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=MJconMeOy40\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cLiberty\u201d<\/a> by Tony Williams on the Tony Williams album <em>Native Heart<\/em><\/li><li>\u201cPicture 1\u201d and \u201cPicture 2\u201d by Jack DeJohnette on the Jack DeJohnette album <em>Pictures<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=LXTELjUo4vk\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cGet Ready\u201d<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=sqU9htHfKJE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cJust Chatting\u201d<\/a> by Antonio Sanchez on the soundtrack to the movie <em>Birdman<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=jMq353yyp_A\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cBad Hombre\u201d<\/a> by Antonio Sanchez on the Antonio Sanchez album <em>Bad Hombre<\/em><\/li><li>\u201cMaxed Out\u201d by Steve Smith on the Vital Information album <em>Ray Of Hope<\/em><\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Max Roach  For Big Sid\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/JTBgttPqef8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>3. Soloing over a vamp<\/strong><\/h3>\n\n\n\n<p>A &#8220;vamp&#8221; is a part of a song that is a repeated phrase, or repeated riff. When soloing over a vamp, internalize the vamp, keep it in your mind as you play and listen closely to the band playing the vamp. When your solo is over you cue the band to move to the next section of the song. This is a very common type of soloing in jazz-rock-fusion and Latin music.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Examples of soloing over a vamp: <\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=vmDDOFXSgAs\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cTake Five\u201d<\/a> by Joe Morello on the Dave Brubeck album <em>Time Out<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=b1rX9E8NuRw\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cStratus\u201d<\/a> by Billy Cobham on the Billy Cobham album <em>Spectrum<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=vZuFq4CfRR8\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cIf 6 Was 9\u201d<\/a>, a short solo near the end of the song by Mitch Mitchell on the Jimi Hendrix Experience album <em>Axis: Bold As Love<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=fG2seugAgnU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cAja\u201d<\/a> by Steve Gadd on the Steely Dan album <em>Aja<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=jXqXeZpxIa0\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cPart 2 (Dedicated to John Coltrane)\u201d<\/a> by Steve Gadd on the Chick Corea album <em>Three Quartets<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=K1xa0jVWRpc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cKnock On My Door\u201d<\/a> by Bill Stewart on the Bill Stewart album <em>Incandescence<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=tc1fKKTPmBA\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cVoice\u201d<\/a> by Simon Phillips on the Hiromi Trio Project album <em>Voice<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=4RS5RsSPssw\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cHigher Ground\u201d<\/a> by Dave Weckl and Chris Coleman on the Dave Weckl &amp; Jay Oliver album&nbsp; <em>Convergence<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=As3EvzjKVJg\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cEverglades\u201d<\/a> by Steve Smith on the Scott Henderson, Victor Wooten, Steve Smith album <em>Vital&nbsp;Tech Tones<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=CIoReNHtqA4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cThe Perfect Date\u201d<\/a> by Steve Smith on the Vital Information <em>Fiafiaga (Celebration)<\/em><\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"STEELY DAN \uff3b AJA \uff3d Steve Gadd drum solo &#039; 77\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/pGmB7Jksl5k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>4. Soloing over the form of a song<\/strong><\/h3>\n\n\n\n<p>When soloing over the form of a song, sing the melody, or the chord sequence, to yourself as you play. With this type of solo, you are keeping the tempo and form of the song going. <\/p>\n\n\n\n<p>This is one of the most challenging ways to solo. You need to be very clear of the form of the song, and the form will give you a structure to work with.&nbsp; <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Examples of soloing over the form of a song:&nbsp;<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=nlatJOsLhPA\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cI\u2019m An Old Cowhand\u201d<\/a> by Shelly Manne on the Sonny Rollins album <em>Way Out West<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=uKpK8RbGlO4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cSeven Steps To Heaven\u201d<\/a> by Tony Williams on the Miles Davis album <em>Seven Steps To Heaven<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=_AHxgJzCPhU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cBlue Monk\u201d<\/a> by Brian Blade on the Chick Corea Trio album <em>Trilogy<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=rIhSm1adjSg\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201c500 Miles High (Live)\u201d<\/a> by Brian Blade on the Chick Corea album <em>Trilogy 2<\/em><\/li><li>\u201cSanta Claus is Coming to Town\u201d by Jack DeJohnette on the Keith Jarrett Trio album <em>After The&nbsp;Fall<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=0TLEPQZIVOg\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cBrilliant Corners\u201d<\/a> by Max Roach on the Thelonious Monk album <em>Brilliant Corners<\/em>.<\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=m6wbndOPAQk\" target=\"_blank\" rel=\"noopener\">\u201cLorraine\u201d<\/a> by Shelly Manne on the Ornette Coleman album <em>Tomorrow Is The Question<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=Q3NsSxhkMSs\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cMr. P.C.\u201d<\/a> by Steve Smith on the Steve Smith &amp; Vital Information album <em>Heart of the City<\/em><\/li><li>\u201cMr. P.C.\u201d by Steve Smith with Vital Information filmed live at the Drumeo Festival<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Seven Steps to Heaven\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/pQMJv3HuZdU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>5. Impressionistic free-form soloing&nbsp;<\/strong>&nbsp;<\/h3>\n\n\n\n<p>Free-form solos are often played out of time, but they can also be played in time or moving between the two.<\/p>\n\n\n\n<p>This type of solo can be&nbsp;thematic or not. Free-form soloing may serve as an intro to a song or a segue&nbsp; between songs. This can be an opportunity to play in a way that is different from your role as an&nbsp; accompanist, where generally you must play at a set tempo. <\/p>\n\n\n\n<p>This type of solo could be included in the &#8220;unaccompanied (stand-alone) drum set pieces&#8221; section, but I like addressing&nbsp;impressionistic free-form soloing as its own separate entity.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Examples of impressionistic free-form solos:<\/strong>&nbsp;<\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\">\n<ul><li><a href=\"https:\/\/www.youtube.com\/watch?v=0lCoKTMdnF4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cEcho\u201d<\/a> by Tony Williams on the Tony Williams album <em>Spring<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=ywAMUxfe4jk\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cAgitation\u201d<\/a> by Tony Williams on the Miles Davis album <em>ESP<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=8KSPPnxV_5w\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cMetallurgy\u201d<\/a> by Bill Stewart on the Bill Stewart album <em>Incandescence<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=7MRo-sRmEUY\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cMars\u201d<\/a> by Rashied Ali on the John Coltrane album <em>Interstellar Space<\/em><\/li><li><a href=\"https:\/\/www.youtube.com\/watch?v=ns9-8EQ6cOc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cCity Outskirts East\u201d<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=pyxRCNoBPvM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cCity Outskirts West\u201d<\/a> by Steve Smith on the Steve Smith &amp; Vital&nbsp;Information album <em>Heart Of The City<\/em><\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Coltrane - Mars\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/7MRo-sRmEUY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<p>I have recorded a drum set solo album called <em>The Fabric of Rhythm<\/em>. I will soon release the album&nbsp;as a download <a href=\"http:\/\/www.vitalinformation.com\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">on my website<\/a> and I will make it available for&nbsp;streaming. There are 14 stand-alone solos on the 44-minute album.&nbsp;<\/p>\n\n\n\n<p>The album is currently available as a download when you buy my Modern Drummer book called Legends Vol. 7 (you can find it <a href=\"https:\/\/hudsonmusic.com\/product\/md-legends-steve-smith\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">here<\/a>). There are dozens of my drum solos on my <a href=\"https:\/\/www.youtube.com\/user\/SteveSmithChannel\/videos\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube channel<\/a> as well. &nbsp;<\/p>\n\n\n\n<p>Enjoy making music by yourself!&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lh3.googleusercontent.com\/U8-AD8Q0-oyqF58pJBbZpFtMXvZmo1h853ecdVMaBFesN0tw2iRBBOG5gf8r9CMwyK61xpLlp2Z9wSpuwXOQNPbEPyozYIyyQafFKskO5atUSzqVfOdwKW6lu3AWN8kfYEjEb4xgdMdeHki7VGhp-mxBC2Od4tWxNi9X4_yaHqf4u_WsBClT5ObiWQ\" alt=\"\" width=\"139\" height=\"96\" title=\"\"><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Steve Smith (ex-Journey) put together these drum solo tips for anyone looking to understand the art of soloing.<\/p>\n","protected":false},"author":164,"featured_media":37919,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4016,4024],"tags":[],"_links":{"self":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/37876"}],"collection":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/users\/164"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/comments?post=37876"}],"version-history":[{"count":62,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/37876\/revisions"}],"predecessor-version":[{"id":41576,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/37876\/revisions\/41576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media\/37919"}],"wp:attachment":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media?parent=37876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/categories?post=37876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/tags?post=37876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}