{"id":29673,"date":"2021-08-25T08:21:03","date_gmt":"2021-08-25T15:21:03","guid":{"rendered":"https:\/\/www.drumeo.com\/beat\/?p=29673"},"modified":"2026-02-10T09:23:50","modified_gmt":"2026-02-10T17:23:50","slug":"how-to-read-drum-music","status":"publish","type":"post","link":"https:\/\/www.drumeo.com\/beat\/how-to-read-drum-music\/","title":{"rendered":"How To Read Drum Music (For Beginners)"},"content":{"rendered":"\n<p>Are you<a href=\"https:\/\/www.drumeo.com\/beat\/how-to-play-drums\/\" target=\"_blank\" rel=\"noreferrer noopener\"> starting to play drums<\/a> and <a href=\"https:\/\/www.drumeo.com\/beat\/glen-sobel-always-read-into-it\/\" target=\"_blank\" rel=\"noreferrer noopener\">want to learn how to read music<\/a>? Maybe you\u2019ve been drumming for years but you&#8217;ve been too intimidated to give it a try. Whether it&#8217;s a concert score or <a href=\"https:\/\/www.drumeo.com\/beat\/ac-dc-drum-transcriptions\/\" target=\"_blank\" rel=\"noreferrer noopener\">AC\/DC PDFs<\/a>, this guide will teach you the basics of reading and writing drum notation from the first quarter note to the final cymbal crash. <\/p>\n\n\n<p><span class=\"blue-text-block\">This article will teach you several ways to notate drum music and includes multiple formatting styles. Because notation isn&#8217;t 100% standardized, rhythms may be presented differently from one drum book or lesson to another. It&#8217;s better to be prepared for anything!<br \/><\/span><\/p>\n<h3><strong>Chapters<\/strong><\/h3>\n<div id=\"toc_container\">\n<ol class=\"toc_list\">\n<li><a href=\"#Staff\">The Staff<\/a><\/li>\n<li><a href=\"#Time\">Time Signature &amp; Tempo<\/a><\/li>\n<li><a href=\"#Notes\">How To Read Drum Notation<\/a><\/li>\n<li><a href=\"#Rests\">Rests<\/a><\/li>\n<li><a href=\"#Sticking\">Sticking, Accents &amp; Phrasing<\/a><\/li>\n<li><a href=\"#Dynamics\">Dynamics<\/a><\/li>\n<li><a href=\"#Directions\">Directions<\/a><\/li>\n<li><a href=\"#Charts\">Charts<\/a><\/li>\n<\/ol>\n<\/div>\n<hr>\n\n\n<h3 class=\"wp-block-heading\" id=\"Staff\"><strong>The Staff<\/strong><\/h3>\n\n\n\n<p>Drum notation has a lot in common with the notation for other instruments since it\u2019s laid out on a set of five horizontal lines (called a \u201cstaff\u201d). Each part of the drum set is written on a line &#8211; or in the space between the lines &#8211; so you can visually tell everything apart.&nbsp;<\/p>\n\n\n\n<p>Lower pitches like the bass drum and floor tom are towards the bottom of the staff, while the snare and toms are in the middle. Higher tones like cymbals are at the top.<\/p>\n\n\n\n<p>This graphic &#8211; known as a \u2018drum key\u2019 &#8211; shows where the most common parts of the drum set appear on the staff. It all makes sense when you look at it!<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"500\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/17150343\/drum-music-graphic.png\" alt=\"\" class=\"wp-image-30031\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/17150343\/drum-music-graphic.png 788w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/17150343\/drum-music-graphic-300x190.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/17150343\/drum-music-graphic-768x487.png 768w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><\/figure>\n\n\n\n<p>For example, the hi-hat is both at the top (when you hit it with your stick) and the bottom (when you step on it).&nbsp;<\/p>\n\n\n\n<p>The two vertical boxes on the left are called the \u201cdrum clef,\u201d which tells us that this music is specifically for drums. It\u2019s just like the treble and bass clefs you\u2019ll see in notation for melodic instruments.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\"  src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/09\/07160310\/Clefs-2-1.svg\" alt=\"\" class=\"wp-image-30428\" style=\"width:729px;height:317px\" title=\"\"><figcaption class=\"wp-element-caption\">Drum clef, treble clef, bass clef<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"Time\"><strong>Time Signature<\/strong><\/h3>\n\n\n\n<p>This is one of the first things you should look for when you see a drum chart. The time signature is the two numbers stacked on top of each other on the left side of the staff.&nbsp;<\/p>\n\n\n\n<p>Written music is divided into chunks called measures. Think of a measure (or \u201cbar\u201d) as a pie. Every measure has a certain number of counts or \u201cbeats\u201d in it, which make up fractions of the whole pie.&nbsp;<\/p>\n\n\n\n<p>In the time signature, the top number tells you how many beats are in each measure. The bottom number tells you the value of each beat. For example, 4\/4 time has 4 beats per measure and each beat is worth one quarter note. 6\/8 time has 6 beats per measure but each beat is worth one eighth note.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"496\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122057\/2a.png\" alt=\"\" class=\"wp-image-29691\" style=\"width:251px;height:248px\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122057\/2a.png 502w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122057\/2a-300x296.png 300w\" sizes=\"(max-width: 502px) 100vw, 502px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"728\" height=\"726\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122059\/2b.png\" alt=\"\" class=\"wp-image-29692\" style=\"width:253px;height:253px\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122059\/2b.png 728w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122059\/2b-300x300.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122059\/2b-150x150.png 150w\" sizes=\"(max-width: 728px) 100vw, 728px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>It\u2019s also important to check out the tempo or \u201cbeats per minute\u201d at the top left of your chart. A tempo of 60 beats per minute (BPM) in 4\/4 time means that each of the measure\u2019s four quarter notes occur once per second (just like the second hand of a clock).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"352\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122101\/2c.png\" alt=\"\" class=\"wp-image-29693\" style=\"width:330px;height:176px\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122101\/2c.png 660w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122101\/2c-300x160.png 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/figure><\/div>\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n\n\n<h3 class=\"wp-block-heading\" id=\"Notes\"><strong>How To Read Drum Notation<\/strong><\/h3>\n\n\n\n<p>Now that you know the basics of the staff, time signature and tempo, it\u2019s time to check out some drum notation!&nbsp;<\/p>\n\n\n\n<p>Let\u2019s start at the top. Cymbals and hi-hat notes are usually written as an \u2018x\u2019 while drums are written as solid round notes.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"300\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090035\/notes-1024x300.png\" alt=\"\" class=\"wp-image-53414\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090035\/notes-1024x300.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090035\/notes-300x88.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090035\/notes-768x225.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090035\/notes.png 1428w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Here are some of most common note values you\u2019ll encounter and their value in 4\/4 time:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/09\/27114152\/drum-notations-1.svg\" alt=\"\" class=\"wp-image-30932\" style=\"width:377px;height:229px\" title=\"\"><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/09\/27114214\/drum-notations-2.svg\" alt=\"\" class=\"wp-image-30934\" style=\"width:377px;height:221px\" title=\"\"><\/figure><\/div>\n\n\n<p>Adding an additional &#8216;slash&#8217; to the stem of a note cuts its value in half.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"292\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122104\/3b-1024x292.png\" alt=\"\" class=\"wp-image-29695\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122104\/3b-1024x292.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122104\/3b-300x86.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122104\/3b-768x219.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/07\/28122104\/3b.png 1478w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A whole note on a staff in 4\/4 time<\/figcaption><\/figure><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>Other types of notes<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Dotted notes<\/strong><\/h4>\n\n\n\n<p>Placing a small dot to the right of any of these notes adds an extra 50 percent of the note\u2019s value. For example, if a quarter note is worth 1 beat, a dotted quarter note is worth 1.5 beats.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/09\/08095621\/dotted-quarter-note-fix.svg\" alt=\"\" class=\"wp-image-30488\" style=\"width:69px;height:104px\" title=\"\"><\/figure><\/div>\n\n\n<h4 class=\"wp-block-heading\"><strong>Connected groups<\/strong><\/h4>\n\n\n\n<p>Multiple notes that comprise a beat are often connected by horizontal lines called \u201cbeams\u201d to make them easier to group visually.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/18082820\/04-basic-note-values-8th-notes-03-1.svg\" alt=\"\" class=\"wp-image-30042\" style=\"width:903px;height:75px\" title=\"\"><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Tied notes<\/strong><\/h4>\n\n\n\n<p>A curved beam or \u201ctie\u201d connecting two notes means that you play them as if they are one note. The second note is silent and its value is added to the first. For example, if there is a cymbal hit on the \u201cand\u201d of beat 4, it is written as a tied note across the bar line to show its longer sustain.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"652\" height=\"214\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090207\/tied-notes-2.png\" alt=\"\" class=\"wp-image-53419\" style=\"width:432px;height:142px\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090207\/tied-notes-2.png 652w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090207\/tied-notes-2-300x98.png 300w\" sizes=\"(max-width: 652px) 100vw, 652px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Triplets<\/strong><\/h4>\n\n\n\n<p>Triplets are made up of three notes equally spaced over a period of time where there would normally be two notes. They\u2019re connected by a horizontal beam and written with a small \u20183\u2019 above them.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"878\" height=\"344\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090221\/triplets-1.png\" alt=\"\" class=\"wp-image-53421\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090221\/triplets-1.png 878w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090221\/triplets-1-300x118.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090221\/triplets-1-768x301.png 768w\" sizes=\"(max-width: 878px) 100vw, 878px\" \/><\/figure>\n\n\n\n<p>Triplets are the most common type of \u201ctuplet\u201d (which is any equal subdivision of notes spaced evenly over a larger note length).&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Stems<\/strong><\/h4>\n\n\n\n<p>You may also notice the stems of the notes (the straight vertical lines jutting out). In traditional drum notation, notes played with the feet have downward-facing stems, while everything else points upward. This shows you the separation of the hands and feet (and isolating your limbs can help you <a href=\"https:\/\/www.drumeo.com\/beat\/intermediate-drum-beats\/\" target=\"_blank\" rel=\"noreferrer noopener\">learn new patterns<\/a>).&nbsp;<\/p>\n\n\n\n<p>The note values of the hands and feet <em>each<\/em> add up to the total number of the beats in the whole measure (for example, in 4\/4 time, the notes and rests in the hands would add up to 4, and so would the notes and rests in the feet).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"241\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090239\/traditional-drum-notation-1-1024x241.png\" alt=\"\" class=\"wp-image-53423\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090239\/traditional-drum-notation-1-1024x241.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090239\/traditional-drum-notation-1-300x70.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090239\/traditional-drum-notation-1-768x180.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090239\/traditional-drum-notation-1.png 1260w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Traditional drum notation<\/figcaption><\/figure>\n\n\n\n<p>One thing to keep in mind about music notation is that there are a <em>lot <\/em>of minor variations in the way different people write things. Many of the rules are flexible and evolve over time. In modern drum notation, all the stems point upward (even the notes played on the bass drum) and everything looks more connected. All the notes together add up to the total number of beats in each measure.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"774\" height=\"282\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090245\/modern-drum-notation-1.png\" alt=\"\" class=\"wp-image-53424\" style=\"width:561px;height:204px\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090245\/modern-drum-notation-1.png 774w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090245\/modern-drum-notation-1-300x109.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090245\/modern-drum-notation-1-768x280.png 768w\" sizes=\"(max-width: 774px) 100vw, 774px\" \/><figcaption class=\"wp-element-caption\">Modern drum notation<\/figcaption><\/figure>\n\n\n\n<p>However, it\u2019s harder to visualize the separation of the hands and feet this way. Traditional and modern notation both have pros and cons, and it\u2019s useful to learn how to read both styles.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"Rests\"><strong>Rests<\/strong><\/h3>\n\n\n\n<p>A rest tells you when <em>not <\/em>to play. Here are some of the most common types in 4\/4 time.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/09\/27115355\/drum-notations-rests-1-2.svg\" alt=\"\" class=\"wp-image-30942\" style=\"width:406px;height:209px\" title=\"\"><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/09\/27115426\/drum-notations-rests-2-1.svg\" alt=\"\" class=\"wp-image-30944\" style=\"width:401px;height:197px\" title=\"\"><\/figure><\/div>\n\n\n<p>Just like with notes, adding a dot tacks on an additional 50 percent of the rest\u2019s value. For example, here&#8217;s a dotted quarter-note rest (worth 1.5 beats):<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/19095909\/dotted-quarter-note-rest.svg\" alt=\"\" class=\"wp-image-30076\" style=\"width:76px;height:116px\" title=\"\"><\/figure><\/div>\n\n\n<h3 class=\"wp-block-heading\" id=\"Sticking\"><strong>Sticking, phrasing &amp; accents<\/strong><\/h3>\n\n\n\n<p>Now that you\u2019ve got a basic idea of how notes and rests work, let\u2019s get into some other important symbols you might come across in different types of drum music.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sticking<\/strong><\/h4>\n\n\n\n<p>If you see the letters \u2018R\u2019 and \u2018L\u2019 above or below the staff, these signify which notes should be played by your right and left hands. This pops up most commonly in educational exercises and rudiments rather than full song charts.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"260\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090408\/sticking-1-1024x260.png\" alt=\"\" class=\"wp-image-53428\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090408\/sticking-1-1024x260.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090408\/sticking-1-300x76.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090408\/sticking-1-768x195.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090408\/sticking-1.png 1112w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Accents &amp; articulation<\/strong><\/h4>\n\n\n\n<p>Accented notes should be played louder than the rest. The most common type of accent symbol is a wedge with the opening pointing left. Hand accents are usually written above the staff, while foot accents are below. Less common is a wedge with the opening pointed downward, which means the accent should be a short or \u201cstaccato\u201d note.<em>&nbsp;<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"300\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090415\/accents-articulation-1.png\" alt=\"\" class=\"wp-image-53429\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090415\/accents-articulation-1.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090415\/accents-articulation-1-300x88.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090415\/accents-articulation-1-768x225.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/p>\n<p><\/iframe><\/p>\n\n\n<h4 class=\"wp-block-heading\"><strong>Phrasing markers<\/strong><\/h4>\n\n\n\n<p>These are super helpful in telling us <em>how<\/em> a note should be played. Staccato notes have a dot above them (it\u2019s usually best to play those on a drum rather than a cymbal that rings too much).&nbsp;<\/p>\n\n\n\n<p>Longer, or \u201clegato\u201d notes tend to be tied to visually indicate their duration. These work best if you play them on cymbals since they have more sustain.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"138\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090537\/phraising-1-1024x138.png\" alt=\"\" class=\"wp-image-53431\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090537\/phraising-1-1024x138.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090537\/phraising-1-300x41.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090537\/phraising-1-768x104.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090537\/phraising-1-1536x207.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090537\/phraising-1.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Open\/closed hi-hats<\/strong><\/h4>\n\n\n\n<p>When you see an \u2018o\u2019 sign above the hi-hat, that means you should lift your toes and open it. A plus sign means you should close the hats.&nbsp;<\/p>\n\n\n\n<p>Sometimes people use curved beams to connect open and closed hi-hat notes (but sometimes they don\u2019t\u2026so be ready for either style!)&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"159\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090543\/open-close-1-1024x159.png\" alt=\"\" class=\"wp-image-53433\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090543\/open-close-1-1024x159.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090543\/open-close-1-300x46.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090543\/open-close-1-768x119.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090543\/open-close-1.png 1427w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Loose hi-hat notes (where you should play the hi-hat partially open) are often written as an \u2018x\u2019 with a circle around them.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"646\" height=\"240\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090550\/hi-hat-1.png\" alt=\"\" class=\"wp-image-53434\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090550\/hi-hat-1.png 646w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090550\/hi-hat-1-300x111.png 300w\" sizes=\"(max-width: 646px) 100vw, 646px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Grace notes (flams &amp; drags)&nbsp;<\/strong><\/h4>\n\n\n\n<p>Notating and reading rudiments is an important part of understanding drum music. Flams and drags are types of \u201cgrace notes\u201d which have no numerical value &#8211; you just play them immediately before another note.<\/p>\n\n\n\n<p><em>\u201cSo I don\u2019t count them as part of my pie when I add all the notes and rests in each measure?\u201d<\/em> Nope!&nbsp;<\/p>\n\n\n\n<p>Think of these as little ornamentations that precede the main note they\u2019re attached to. They\u2019re tied to the main note with an upward-facing curved beam.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"347\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090657\/beam-1-1024x347.png\" alt=\"\" class=\"wp-image-53437\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090657\/beam-1-1024x347.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090657\/beam-1-300x102.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090657\/beam-1-768x260.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090657\/beam-1.png 1192w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Buzzed notes &amp; rolls<\/strong><\/h4>\n\n\n\n<p>Bounced notes are written with a slash through the stem of the note. This is called a \u201ctremolo\u201d. One slash indicates a bounce or double stroke, and these slashes are also used to notate open rolls (where you can hear each stroke individually).&nbsp;<\/p>\n\n\n\n<p>Closed rolls and buzzes (where you can\u2019t hear each individual note) have a \u2018z\u2019 through the note\u2019s stem.&nbsp;<\/p>\n\n\n\n<p>Longer rolls of either type are written as tied notes to indicate their length. They\u2019ll also sometimes have a number written next to the tie to tell you how many strokes are in the roll.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"314\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090726\/buzzed-notes-1.png\" alt=\"\" class=\"wp-image-53439\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090726\/buzzed-notes-1.png 636w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10090726\/buzzed-notes-1-300x148.png 300w\" sizes=\"(max-width: 636px) 100vw, 636px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Breaths &amp; pauses<\/strong><\/h4>\n\n\n\n<p>Along with the rests we went over earlier, here are a few other signs you might encounter in drum music.&nbsp;<\/p>\n\n\n\n<p>A <em>caesura <\/em>(commonly called \u201crailroad tracks&#8221;) is a pause marker with two leaning vertical slashes. It basically means <em>\u201cstop right there!\u201d<\/em>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"286\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10090918\/pauses.png\" alt=\"\" class=\"wp-image-53442\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10090918\/pauses.png 984w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10090918\/pauses-300x87.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10090918\/pauses-768x223.png 768w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/><\/figure>\n\n\n\n<p>A <em>fermata<\/em>, or \u201chold\u201d is written as a downward facing semi-circle with a dot in the middle. This indicates a full pause in the music where you stop counting the time.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"300\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091020\/hold-1.png\" alt=\"\" class=\"wp-image-53444\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091020\/hold-1.png 682w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091020\/hold-1-300x132.png 300w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<p>You may also see a pair of eyeglasses, which is an informal way to say \u201cwatch out, here comes something important!\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"618\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091038\/watch-out-1.png\" alt=\"\" class=\"wp-image-53446\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091038\/watch-out-1.png 680w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091038\/watch-out-1-300x273.png 300w\" sizes=\"(max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Percussion &amp; other variations<\/strong><\/h4>\n\n\n\n<p>Cowbells, wood blocks, and triangles are written with triangular or diamond-shaped note-heads on different lines of the staff.&nbsp;<\/p>\n\n\n\n<p>Cross-sticks are written with an \u2018x\u2019 on the snare drum line, while other types of rimshots<em> (hitting the rim and snare together or hitting one stick with the other as it rests on the snare head)<\/em> appear as a round note with a slash through it.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"168\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153107\/6k-1-1-1024x168.png\" alt=\"\" class=\"wp-image-30156\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153107\/6k-1-1-1024x168.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153107\/6k-1-1-300x49.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153107\/6k-1-1-768x126.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153107\/6k-1-1-1536x253.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153107\/6k-1-1.png 1824w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Stay alert and be ready for different types of notation!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/04113249\/2021-07-29-Sheet-Music-123-1024x683.jpg\" alt=\"drummer reading sheet music\" class=\"wp-image-29854\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/04113249\/2021-07-29-Sheet-Music-123-1024x683.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/04113249\/2021-07-29-Sheet-Music-123-300x200.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/04113249\/2021-07-29-Sheet-Music-123-768x512.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/04113249\/2021-07-29-Sheet-Music-123.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n\n\n<h3 class=\"wp-block-heading\" id=\"Dynamics\" style=\"color: #0b76db;\"><strong>Dynamics<\/strong><\/h3>\n\n\n\n<p>Dynamic markings are some of the most important symbols on any drum chart. They help you play with sensitivity and convey important changes in the music. If you nail the dynamics on drums, everyone in the band will love you!<\/p>\n\n\n\n<p>Here are a few of the most common dynamic markings from quietest to loudest:<\/p>\n\n\n\n<p><strong><em>ppp <\/em><\/strong>(triple <em>pianississimo<\/em>, sometimes called \u201ctriple-p\u201d or \u201ctriple piano\u201d) &#8211;&nbsp; This means \u201cvery, very quiet.\u201d As quiet as you can play!&nbsp;<\/p>\n\n\n\n<p><strong><em>pp <\/em><\/strong><em>(pianissimo, <\/em>or \u201cdouble-p\u201d) &#8211; This means \u201cvery quiet,\u201d or just barely above <em>ppp.<\/em><\/p>\n\n\n\n<p><strong><em>p<\/em><\/strong><em> (piano)<\/em> &#8211; Quiet<\/p>\n\n\n\n<p><strong><em>mp<\/em><\/strong><em> (mezzo-piano) &#8211; <\/em>Medium or moderately quiet<\/p>\n\n\n\n<p><strong><em>mf<\/em><\/strong><strong> <\/strong><em>(mezzo-forte) &#8211; <\/em>Medium or moderately loud, but not too loud&nbsp;<\/p>\n\n\n\n<p><strong><em>f <\/em><\/strong><em>(forte) &#8211; <\/em>Loud<\/p>\n\n\n\n<p><strong><em>ff <\/em><\/strong><em>(fortissimo) <\/em>&#8211; Very loud. We\u2019re not quite at top volume, but we\u2019re close!<\/p>\n\n\n\n<p><strong><em>fff <\/em><\/strong><em>(fortississimo) &#8211; <\/em>Very, <em>very<\/em>, loud. This is sometimes also called \u201ctriple-forte\u201d or \u201ctriple-f.\u201d Now we\u2019re in ear-spitting territory!<\/p>\n\n\n\n<p>Along with these basic dynamic markings that tell you how loud or quiet to play, there are also a couple of important symbols that indicate changes in the dynamics.<\/p>\n\n\n\n<p>A <strong><em>crescendo<\/em><\/strong> is a gradual increase in the volume notated with a right- facing \u201chairpin.\u201d Make sure not to get too loud right away and allow the volume to build steadily.<\/p>\n\n\n\n<p>A <strong><em>decrescendo (or diminuendo)<\/em><\/strong> is the opposite. Again, make sure not to get to your final volume too quickly. Keep an eye on the duration of the dynamic change and bring your volume down steadily. These subtle dynamic changes can make a <em>big<\/em> difference in your sound!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"188\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091220\/decrescendo-1024x188.png\" alt=\"\" class=\"wp-image-53449\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091220\/decrescendo-1024x188.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091220\/decrescendo-300x55.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091220\/decrescendo-768x141.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091220\/decrescendo-1536x283.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091220\/decrescendo.png 1543w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Along with these basics, here are a couple of other dynamic symbols that are important for drummers.<\/p>\n\n\n\n<p>If you see the word <strong><em>subito<\/em><\/strong><em> <\/em>(or \u201csuddenly,\u201d sometimes abbreviated \u201c<em>sub.\u201d<\/em>) before a dynamic marking, that means you\u2019re making an abrupt change.&nbsp; For example, if you\u2019ve been chugging along at \u2018<em>mf\u2019<\/em> or \u2018<em>f\u2019 <\/em>and you see \u201c<em>sub. p<\/em>,\u201d bring the volume down right away.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"186\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091256\/subito-1024x186.png\" alt=\"\" class=\"wp-image-53451\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091256\/subito-1024x186.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091256\/subito-300x54.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091256\/subito-768x139.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091256\/subito.png 1428w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Another similar concept uses an \u2018<em>fp,\u2019 or <\/em><strong><em>fortepiano<\/em><\/strong><em> <\/em>sign<em>.<\/em> This is a loud first note followed by an immediate drop in volume. You\u2019ll often see these on the first note of a dramatic roll (think of a classic drum roll used to build tension and play vaudeville artists onstage).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"318\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091311\/fortepiano.png\" alt=\"\" class=\"wp-image-53453\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091311\/fortepiano.png 832w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091311\/fortepiano-300x115.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10091311\/fortepiano-768x294.png 768w\" sizes=\"(max-width: 832px) 100vw, 832px\" \/><\/figure>\n\n\n\n<p>Also keep an eye out for the \u2018<em>sfz\u2019,<\/em> or <strong><em>sforzando<\/em><\/strong><em> <\/em>symbol, which literally means \u201csuddenly, with force.\u201d The idea here is to emphasize the attack&nbsp; of a note or phrase (smack it, then go back to whatever dynamic level you were at before).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"206\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152609\/sfz-1024x206.jpg\" alt=\"\" class=\"wp-image-30148\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152609\/sfz-1024x206.jpg 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152609\/sfz-300x60.jpg 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152609\/sfz-768x155.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152609\/sfz.jpg 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"Directions\"><strong>Directions<\/strong><\/h3>\n\n\n\n<p>Knowing how to read the road map is the key to a successful journey through any drum chart. Here are a few of the most common directional signs you\u2019ll come across:<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Repeats<\/strong><\/h4>\n\n\n\n<p>There\u2019s a lot of repetition in drum music, so you might see these a lot. A repeat is written as 2 vertical bar lines with 2 adjacent dots which signal that you should go back and play a section again.&nbsp;<\/p>\n\n\n\n<p><em>\u201cBut where do I go back to?\u201d <\/em>Just look out for the inverted repeat sign to tell you the boundary of the repeated section. If there\u2019s no inverted repeat signal, go back to the beginning of the chart. Repeat the section once unless otherwise indicated.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"162\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091658\/Repeats-1024x162.png\" alt=\"\" class=\"wp-image-53456\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091658\/Repeats-1024x162.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091658\/Repeats-300x47.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091658\/Repeats-768x121.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091658\/Repeats-1536x243.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091658\/Repeats.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>First &amp; second endings<\/strong><\/h4>\n\n\n\n<p>Sometimes a section of your chart will repeat, but the last bar or two is slightly different each time. First and second ending markers make the whole thing easier to read by notating these varied endings without rewriting the entire section (so you\u2019ll ultimately have a shorter chart with fewer page turns).&nbsp;<\/p>\n\n\n\n<p>The first time through, play the first ending (the measure with the \u201c1\u201d over it) and jump back to the inverted repeat sign. After you go through the second time, skip the first ending and jump directly to the second before you continue.&nbsp;<\/p>\n\n\n\n<p>Some charts have even more than two endings, so just keep repeating until you get to the last one.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"337\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091754\/endings-1024x337.png\" alt=\"\" class=\"wp-image-53459\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091754\/endings-1024x337.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091754\/endings-300x99.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091754\/endings-768x252.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091754\/endings-1536x505.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091754\/endings.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Codas<\/strong><\/h4>\n\n\n\n<p>This is another way to shorten the length of a chart by jumping backward and forward so you don\u2019t have to re-write a section that repeats. This concept can be tricky at first, but once you get it you\u2019ll be in great shape to read any kind of drum chart.<\/p>\n\n\n\n<p>The first thing you\u2019ll need to look out for is the \u2018<em>D.S.\u2019 or Dal Segno<\/em>, which means \u201cfrom the sign.\u201d&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"197\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153000\/8c-1024x197.png\" alt=\"\" class=\"wp-image-30152\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153000\/8c-1024x197.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153000\/8c-300x58.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153000\/8c-768x148.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153000\/8c-1536x296.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20153000\/8c.png 1694w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Think of this as a portal back to an earlier symbol in the chart (commonly called \u201dthe sign\u201d). It looks like an \u2018S\u2019 with a backward slash through it and two dots on either side.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"180\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091822\/the-sign-1024x180.png\" alt=\"\" class=\"wp-image-53461\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091822\/the-sign-1024x180.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091822\/the-sign-300x53.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091822\/the-sign-768x135.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/10091822\/the-sign.png 1431w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>A \u2018<em>D.C<\/em>\u2019., or <em>Dal Capo<\/em> is a similar concept that means \u201cgo back to the beginning\u201d instead of to the sign. Either way, you\u2019re jumping backward to an earlier point in the chart.&nbsp;<\/p>\n\n\n\n<p>Usually, the <em>D.S.<\/em> or <em>D.C.<\/em> marker will have the words \u201c<em>al Coda<\/em>\u201d or \u201c<em>al Fine\u201d<\/em> after it. This tells us whether to play straight through to the end <em>(\u201cal fine\u201d) <\/em>or if we\u2019ve got one more jump to make (\u201c<em>al coda\u201d).<\/em> If it\u2019s an <em>\u201cal coda,\u201d <\/em>keep playing until you see a \u201c<em>To Coda<\/em>\u201d marker.&nbsp;<\/p>\n\n\n\n<p>The Coda, which looks like a bullseye (or a circle with a plus sign in it), is our ultimate destination and the \u201cTo Coda\u201d marker is another portal that sends us forward to get there (it\u2019s like warping in a video game). After you leap forward to the Coda, play through to the end and collect your prize.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1024\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092259\/To-Coda-800x1024.png\" alt=\"\" class=\"wp-image-53463\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092259\/To-Coda-800x1024.png 800w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092259\/To-Coda-234x300.png 234w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092259\/To-Coda-768x983.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092259\/To-Coda.png 870w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Measure repeats &amp; slash marks<\/strong><\/h4>\n\n\n\n<p>These pop up a lot in drum charts. Full measure repeats are written as a backward slash with 2 dots and signal that you should play whatever you played in the previous bar. Multi-measure repeats will have 2 slashes and the number of bars written above this symbol.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"165\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092330\/Multi-measure-repeats-1024x165.png\" alt=\"\" class=\"wp-image-53466\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092330\/Multi-measure-repeats-1024x165.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092330\/Multi-measure-repeats-300x48.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092330\/Multi-measure-repeats-768x124.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092330\/Multi-measure-repeats.png 1430w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Many drum charts also use a concept called <strong>slash notation<\/strong> to indicate that the drummer should play time or continue grooving. This concept features crooked hash-marks on each beat of the measure instead of writing musical notation or patterns.&nbsp;<\/p>\n\n\n\n<p>Compared to measure repeats, slash marks offer a bit more flexibility to vary the pattern you\u2019re playing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"139\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152914\/8h-1024x139.png\" alt=\"\" class=\"wp-image-30150\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152914\/8h-1024x139.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152914\/8h-300x41.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152914\/8h-768x104.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152914\/8h-1536x209.png 1536w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20152914\/8h.png 1854w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Measure numbers &amp; rehearsal letters<\/strong><\/h4>\n\n\n\n<p>Measure numbers are landmarks that tell you how many measures into the piece you are.&nbsp;<\/p>\n\n\n\n<p>Rehearsal letters normally correspond with different sections of the song. The verse could be \u201cLetter A,\u201d the chorus \u201cLetter B,\u201d etc.<\/p>\n\n\n\n<p>Both of these types of markers are especially useful when you\u2019re rehearsing longer pieces of music and usually appear to the left of the staff.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"211\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092342\/rehearsal-letters-1024x211.png\" alt=\"\" class=\"wp-image-53467\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092342\/rehearsal-letters-1024x211.png 1024w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092342\/rehearsal-letters-300x62.png 300w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092342\/rehearsal-letters-768x159.png 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2026\/02\/10092342\/rehearsal-letters.png 1429w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>\n\n\n<h3 class=\"wp-block-heading\" id=\"Charts\" style=\"color: #0b76db;\"><strong>Charts<\/strong><\/h3>\n\n\n\n<p>Along with traditional notation, drummers should be able to <a href=\"https:\/\/www.drumeo.com\/beat\/this-is-why-sight-reading-is-so-important\/\" target=\"_blank\" rel=\"noreferrer noopener\">read and write other types of charts<\/a>. Every musical situation is different and sometimes one of these other types fits the bill.<\/p>\n\n\n\n<p>This video shows how drum charts help you learn songs faster:<\/p>\n\n\n<p><iframe loading=\"lazy\" title=\"Drumeo-Live-2020-04-09-Charting Songs for Learning Faster\" src=\"https:\/\/player.vimeo.com\/video\/406074348?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n\n\n<h4 class=\"wp-block-heading\"><strong>Lead sheets<\/strong><\/h4>\n\n\n\n<p>These include the major landmarks of the song (like melody, dynamics, form and accents), and everyone in the band often reads the same one. These charts won\u2019t have the exact drum pattern written out for you, so the trick is to interpret the information and come up with the right groove, fills and other details.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"1024\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122009\/9a-Under-Pressure-1-844x1024.jpg\" alt=\"queen under pressure drum music\" class=\"wp-image-30139\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122009\/9a-Under-Pressure-1-844x1024.jpg 844w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122009\/9a-Under-Pressure-1-247x300.jpg 247w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122009\/9a-Under-Pressure-1-768x932.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122009\/9a-Under-Pressure-1-1266x1536.jpg 1266w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122009\/9a-Under-Pressure-1-1687x2048.jpg 1687w\" sizes=\"(max-width: 844px) 100vw, 844px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"1024\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20121957\/9a-Under-Pressure-2-844x1024.jpg\" alt=\"queen under pressure drum music\" class=\"wp-image-30138\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20121957\/9a-Under-Pressure-2-844x1024.jpg 844w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20121957\/9a-Under-Pressure-2-247x300.jpg 247w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20121957\/9a-Under-Pressure-2-768x932.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20121957\/9a-Under-Pressure-2-1266x1536.jpg 1266w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20121957\/9a-Under-Pressure-2-1687x2048.jpg 1687w\" sizes=\"(max-width: 844px) 100vw, 844px\" \/><\/figure>\n\n\n\n<p>The more you encounter these charts, the better you\u2019ll get at using your ear and intuition to fill in the blanks.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Road maps<\/strong><\/h4>\n\n\n\n<p>These are \u201cdrummer shorthand\u201d charts you can create if you\u2019re <a href=\"https:\/\/www.drumeo.com\/beat\/how-to-learn-songs-on-drums\/\" target=\"_blank\" rel=\"noreferrer noopener\">learning a song<\/a> by ear. Road maps give you the information you need to get through the song before you\u2019ve completely memorized it.&nbsp;<\/p>\n\n\n\n<p>They should contain the number of measures in each section, notes on the dynamics, fills and hits, and any other information that could be helpful in playing the tune.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"1024\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122325\/Come-on-Eileen-767x1024.jpg\" alt=\"\" class=\"wp-image-30141\" title=\"\" srcset=\"https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122325\/Come-on-Eileen-767x1024.jpg 767w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122325\/Come-on-Eileen-225x300.jpg 225w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122325\/Come-on-Eileen-768x1025.jpg 768w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122325\/Come-on-Eileen-1151x1536.jpg 1151w, https:\/\/drumeoblog.s3.amazonaws.com\/beat\/wp-content\/uploads\/2021\/08\/20122325\/Come-on-Eileen.jpg 1200w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><\/figure>\n\n\n\n<p>For a detailed run-down on how to create road maps, check out <a href=\"https:\/\/www.drumeo.com\/beat\/pro-drum-studio-tips-3\/\">this article<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"How To Chart A Song Quickly - Drum Lesson (Drumeo)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TVLcZfo7HFQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Drum tablature<\/strong><\/h4>\n\n\n\n<p>Drum tabs are another type of shorthand that can help you learn patterns if you don\u2019t know how to read music. This style of notation is more commonly used by guitar players, but it\u2019s good to know how it works.&nbsp;<\/p>\n\n\n\n<p>Each piece of the drum is symbolized in abbreviated fashion on a horizontal line while different letters indicate various ways to strike them. Instead of rests, the spaces between the notes are indicated with dashes.<\/p>\n\n\n\n<p>Here are some of the most common symbols:<\/p>\n\n\n\n<p><strong>x<\/strong> &#8211; Cymbal or hi-hat<\/p>\n\n\n\n<p><strong>X<\/strong> &#8211; Accented cymbal<\/p>\n\n\n\n<p><strong>o <\/strong>&#8211; Normal hit on a drum or open hi-hat<\/p>\n\n\n\n<p><strong>O <\/strong>&#8211;<strong> <\/strong>An accented note on a drum<\/p>\n\n\n\n<p><strong>g <\/strong>&#8211;<strong> <\/strong>A quieter note&nbsp;<\/p>\n\n\n\n<p><strong>f <\/strong>&#8211;<strong> <\/strong>Flam<\/p>\n\n\n\n<p><strong>d <\/strong>&#8211; A bounced note or drag<\/p>\n\n\n\n<p><strong>b <\/strong>&#8211;<strong> <\/strong>Ride cymbal bell<strong>&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>@ <\/strong>&#8211;<strong> <\/strong>Snare rim&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/s3.amazonaws.com\/drumeoblog\/beat\/wp-content\/uploads\/2019\/11\/12113032\/Drum-tab-01.png\" alt=\"\" title=\"\"><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The bottom line<\/strong><\/h3>\n\n\n\n<p>Drum notation has many similarities to the music written for other instruments, but there are also a <em>ton <\/em>of important differences. Whether you\u2019re a beginner or an experienced player, knowing how to recognize and interpret the notes, rests, dynamics and directions in a drum chart will help you become a better player and a stronger overall musician.<\/p>\n\n\n<div class=\"box-snippet\">\n<div class=\"shadow\"><\/div>\n<div class=\"content\">\n<div><i class=\"fas icon fa-solid fa-question\"><\/i><\/div>\n<div class=\"text-container\">\n                    <strong>Read:<\/strong> <a href=\"https:\/\/www.drumeo.com\/beat\/drumming-questions\/\">The Most Common Drumming Questions (Solved)<\/a>\n                <\/div>\n<\/div>\n<\/div>\n\n\n<p>Did you know <a href=\"https:\/\/www.drumeo.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Drumeo <\/a>has thousands of beginner drum lessons, video courses, sheet music and practice tools for drummers just like you? <\/p>\n\n\n<p><a class=\"join blue\" href=\"https:\/\/www.drumeo.com\/\">Start 7-day free trial<\/a><\/p>\n<p><iframe class=\"email-form-include-full\" src=\"https:\/\/www.drumeo.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Wondering how to read drum music? It&#8217;ll open up more gigs and opportunities. Here&#8217;s a guide to get you started.<\/p>\n","protected":false},"author":119,"featured_media":29853,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4015,4024,4016],"tags":[4014,4052],"_links":{"self":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/29673"}],"collection":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/comments?post=29673"}],"version-history":[{"count":122,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/29673\/revisions"}],"predecessor-version":[{"id":53468,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/posts\/29673\/revisions\/53468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media\/29853"}],"wp:attachment":[{"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/media?parent=29673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/categories?post=29673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.drumeo.com\/beat\/wp-json\/wp\/v2\/tags?post=29673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}